How to read repeats, endings, D.S., D.C., coda and fine

Repeat signs send you back to a start sign or the beginning. First and second endings change the last bars on the repeat. D.C. goes back to the start, D.S. to the sign, and both play until Fine or until To Coda, where you jump to the coda. SheetScroll follows these routes.

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Repeat signs

A repeat sign is a double bar with two dots. A backward repeat (dots on the left of the bar line) means: go back and play the section again. It goes back to the nearest forward repeat (dots on the right of a bar line). If there is no forward repeat, go back to the beginning of the piece.

Bars 2 and 3 sit between repeat signs, so they are played twice. The blue lines show the order: bars 1 to 3, then 2 to 4.

Play the section twice, unless the music says otherwise. A note such as 3x means play it three times in total. On the second time through, you do not repeat again.

Repeats nest only rarely. If you see two sets of repeat signs inside one another, work from the inside out and take a pencil to the score.

First and second endings

Brackets labeled 1. and 2. sit over the last bars of a repeated section. They are called voltas. On the first pass, play the bars under the 1. bracket and take the repeat. On the second pass, skip the 1. bars and play the 2. bars instead. Then go on.

A repeat with first and second endings. The blue lines show the order: bars 1 to 4, with the first ending, then bars 1 to 3 and the second ending, bars 5 and 6.

Some pieces have a third ending, or a bracket labeled 1.-3. for the first three times through, as in a hymn with several verses. The rule stays the same: each pass plays the ending with its number.

D.C., D.S., fine and coda

These are directions in Italian. They tell you to jump to another place in the music.

Road-map signs in sheet music and what each one tells you to do
SignMeansWhat you do
D.C. (da capo)From the headGo back to the very start of the piece
D.S. (dal segno)From the signGo back to the segno sign (a decorated S with a slash and dots)
FineThe endStop here, after a D.C. or D.S. jump
To Coda (a coda sign)Jump to the codaOn the pass named, skip ahead to the second coda sign
CodaThe tailThe closing section, marked with a coda sign (a circle with a cross)
D.C. al FineBack to the start, end at FineGo to the start and play until you reach Fine
D.S. al CodaBack to the sign, then to the codaGo to the segno, play until To Coda, then jump to the coda
D.C. al Fine: play to the end, go back to the start, and stop at Fine. The order is bars 1 to 6, then 1 to 3.

Two rules cover most surprises. First, after a D.C. or D.S., repeats are usually not taken a second time, unless the score says to (look for a note like with repeats). Second, first and second endings often work differently after a jump, so read any text above the endings.

A worked example

Say a piece has twenty bars. Bars 1 to 6 are the body of a repeated section. Bar 7 sits under a first-ending bracket and bar 8 under a second-ending bracket. Bar 9 has a segno. Bar 14 says To Coda. Bar 16 says D.S. al Coda. Bars 17 to 20 are the coda.

The worked example as SheetScroll reads it. Each blue line is a stretch played straight through, numbered in order: bars 1 to 7, 1 to 6, 8 to 16, 9 to 14 and 17 to 20.
  1. Play bars 1 to 6, then bar 7 (first ending) and take the repeat.
  2. Play bars 1 to 6 again, skip bar 7, and play bar 8 (second ending).
  3. Play bars 9 to 16. When you pass To Coda in bar 14 this first time, ignore it.
  4. At the D.S. in bar 16, go back to the segno in bar 9.
  5. Play bars 9 to 14. This time, at To Coda, jump to the coda.
  6. Play bars 17 to 20 and finish.

The bars you play, in order, are 1 to 7, 1 to 6, 8, 9 to 16, 9 to 14, 17 to 20. On paper this takes a pencil and a moment of thought. In a performance it is easy to lose count, so many players write the order in the margin.

Tips for practicing with repeats

  • Mark every jump in pencil with the bar you are going to.
  • Practice the jump itself: play the bar before it and the bar after.
  • Say the route aloud once, such as 1 to 8, 1 to 7, 9 to 14, back to the segno.
  • Check which repeats are taken the second time, and which are skipped.
  • Look for a cue note or a text such as D.S. senza replica, which means no repeats.

Repeats and page turning

Repeats make it hard to turn pages. After a D.S., the right page is not the next one. It is a page you saw ten minutes ago. A human turner has to follow the route. A timed scroll cannot.

Petzold’s Minuet in G repeats from the end of page 2. Two beats before the repeat sign, SheetScroll turns back to page 1.

SheetScroll follows repeat signs, first and second endings, D.S. and coda. When you reach a jump, it moves to the page you are heading for, and it turns two beats before the end of that page. If you stop, go back or skip a repeat, it finds your place again, and tapping the bar you are on tells it at once. Listening is part of SheetScroll Pro.

Questions

What does D.S. al Coda mean?

Go back to the segno sign, play until the words To Coda, then jump to the coda section and play to the end.

What is the difference between D.C. and D.S.?

D.C. (da capo) goes back to the very beginning. D.S. (dal segno) goes back to the segno sign somewhere in the piece.

Do I play the repeats again after a D.C.?

Usually not. Unless the score says with repeats, take each repeat only once and play the second ending where one is marked.

How do first and second endings work?

On the first pass, play the bars under the 1. bracket and repeat. On the second pass, skip them and play the bars under the 2. bracket.

Can a page turner follow repeats and codas?

Some can. SheetScroll follows repeat signs, first and second endings, D.S. and coda, so the right page comes up after a jump.